Tuesday, May 31, 2011

Devil in white city #2

I think it's a sense of humility that makes one refer to hubris, not that the undertaking actually was arrogance. I don't believe that creative acts automatically engender a darker, destructive parallel, nor that Holmes was a natural darker side of the Fair's glory. Good exists. Bad exists. Perhaps they are in some kind of balance. Certainly they tend to exist side by side. To say that one causes the other (which the word "automatically" implies) would be to darken the light. One does not cause the other. It merely shows it for what it is. It’s good that at least the Museum of Science and Industry survives (as the Palace of Fine Arts it held some of the world’s most valuable art and was built extra strong and fireproof) because it gives a frame of reference for what the other buildings at the fair looked like. That, along with Hoag’s collection of photographs and her great descriptions, helped kick start my imagination as we strolled through Jackson Park. Over here the Agriculture Building…over there the gigantic Manufacturers and Liberal Arts Building…a replica of the iconic statue of the fair, The Republic…. the Wooded Island where architect Frank Lloyd Wright took inspiration from the Japanese pavilion… Modern life creeps back in, though. Over there is the basketball court where Barack Obama used to shoot hoops with Michelle’s brother.
Looking north down the lakefront from the Museum of Science and Industry, one has the sense that though the White City is gone, one of the best legacies of the fair endures: the idea that cities can be well planned and beautiful places. Jackson Park and Chicago’s long string of parks and open lakefront (part of Daniel Burnham’s Plan of Chicago) that make this city so special are examples of that great idea. Still, I look forward to seeing The Devil in the White City movie and how its special effects bring the White City back to life.

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